L3 Multimaximizer
| Developer: | Waves |
| Product's Page | |
| Category: | Plug-ins |
| Format: | AU, RTAS, TDM, VST |
| Price: | $600 - $1200 / 405€ - 810€ |
| Popularity: |   |
| Downloads: | 2056 |
| Description | |
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- Multi-Band Auto-Summing Limiter
The key to the L3's power is its patent-pending Peak Limiting Mixer (PLMixer ) engine. The L3 differs from conventional wide band and multi-band limiters in several ways:
- Unlike wide band limiters, the L3 first uses linear phase crossover filters to divides the audio spectrum into five bands.
The PLMixer then uses psychoacoustic criteria to intelligently decide how much attenuation to apply to each band so that all available headroom is used. The result is that intermodulation is minimized and overall loudness is maximized, while brick-wall limiting is still maintained—all while retaining the simplicity of a single master threshold control.
- Unlike traditional multi-band limiters, the PLMixer doesn't require a wide band peak limiter to catch overshoots generated by individual band adjustments. Instead, the PLMixer automatically controls the gain relationship between the bands.
- The L3's Priority control allows the user to control the relative limiting of each band. This unique control lets users adjust the tonal character of the L3 over a wide range, while maintaining brick-wall limiting.
- The L3 allows a 12dB boost or cut in each band in addition to the limiting applied to each band. In effect, this feature functions exactly like a Linear Phase EQ placed before the limiting section of the L3, making the L3 an all-in-one final mastering tool.
- The L3 features a linear phase crossover which doesn't introduce phase distortion between the frequency bands.
The crossover points are selectable by the user.
- While the technology of the PLMixer allows the L3 to be extraordinarily transparent, additional controls allow it to emulate the color and character of vintage limiters. The Separation control, for example, adjusts the independence of each band; when set to 0, the bands do not react separately, and so the L3 functions—and sounds—like a wide band limiter. The Master Release alters the L3's Adaptive Release Control (ARC), offering a Warm, Scaled, Aggressive, and Manual tonal options in addition to the standard ARC setting.
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L3 Multimaximizer 7.0 AU |  |
Commercial Free Update |  Download |
 Demo |
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L3 Multimaximizer 7.0 RTAS | |
Commercial Free Update | Download |
Demo |
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L3 Multimaximizer 7.0 TDM | |
Commercial Free Update | Download |
Demo |
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L3 Multimaximizer 7.0 VST | |
Commercial Free Update | Download |
Demo |
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L3 Multimaximizer 6r5 AU | |
Commercial Free Update | Download |
Demo |
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L3 Multimaximizer 6r5 RTAS | |
Commercial Free Update | Download |
Demo |
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L3 Multimaximizer 6r5 TDM | |
Commercial Free Update | Download |
Demo |
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L3 Multimaximizer 6r5 VST | |
Commercial Free Update | Download |
Demo |
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L3 Multimaximizer 5.9 RTAS | |
Commercial Free Update | Demo |
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L3 Multimaximizer 5.9 AU | |
Commercial Free Update | Demo |
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L3 Multimaximizer 5.2.1 AU | |
Commercial Free Update | Demo |
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L3 Multimaximizer 5.2.1 RTAS | |
Commercial Free Update | Demo |
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L3 Multimaximizer 5.2.1 TDM | |
Commercial Free Update | Demo |
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L3 Multimaximizer 5.2.1 VST | |
Commercial Free Update | Demo |
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L3 Multimaximizer 1.0 RTAS |  |
Commercial Ugrade/Software | Demo |
The newer LL3 from waves knocks spots of this one
An authentic beast difficult to tame. Power, energies, limitation with bistoury. Taken care of with the distortion nonwished. It generates much. It is the temptation to arrive at the limit without breaking the
sound. If you obtain it you will have a powerful weapon. Excellent interface. Most expensive.