Celemony introduces Direct Note Access for Melodyne at the Frankfurt Musikmesse, heralding a whole new age in audio editing. With Direct Note Access it is possible for the first time to edit individual notes within polyphonic audio material. Possible applications range from the simple correction of errors to the complete refashioning of harmonies and timing.
With Direct Note Access, polyphonic audio material is 'exploded' in the Melodyne Editor's display, so that the user can see the individual notes of a chord displayed at their various pitches and edit them individually using the familiar Melodyne tools. As parameters, you therefore have access to the pitch, position in time and duration of each note as well as its vibrato, pitch drift and formant spectrum – you can also change the volume and even the internal evolution of each note.
The first product to feature the revolutionary Direct Note Access will be Melodyne plugin 2, which is due for release in late summer as a VST, AU and RTAS plug-in. The full version will cost 349 €/399 US$; the update from Version 1 will cost 129 €/129 US$. Customers purchasing Melodyne plugin after the 12th March 2008 will receive the update free of charge. The update will also be free of charge for the version of Melodyne plugin included with Melodyne studio provided the purchase was made after the 12th March 2008.
Developed together by Steinberg and Yamaha and manufactured by Yamaha, here comes the CC121 Advanced Integration Controller.
Offering dedicated maximum-quality hardware controllers and an innovative and flexible new controller concept, CC121 provides full Cubase 4 integration and control.
Features :
- Ultra-precision Advanced Integration controller knob with 'point and control' support: controls any visual Cubase 4 parameter, internal FX setting or VSTi parameter using mouse pointer selection
- Instant plug and play with 'Cubase Ready' LED – no additional setup or parameter assigning required
- One motorized 100mm touch-sensitive fader
- Dedicated control of Cubase channel settings including solo/mute, record arm, 'e' settings button, automation read/write, pan and VSTi editor
- Full Cubase EQ section in hardware with 12 dedicated rotary encoders, with mode selection and bypass switches
- User-assignable section with Cubase-integrated presets for Control Room studio sends and monitoring setup.
CC121 will support Windows XP Windows Vista and Mac OS X, and will be available in Q3 2008 with price TBA.
MusikMesse sees Thermionic Culture announcing the Fat Bustard Valve Mixer.
Previewed at the last AES NYC show, the Fat Bustard has a total of 12 inputs arranged as 4x stereo pairs and 4x mono with pan controls, all with toggle mute switches. The simple but amazing Bass and Treble EQ has 0.5dB stepped Lift controls while there are 6 way stepped Bass & Treble Cut controls. This unit also includes a really sweet and effective stereo width control, a little reminiscent of some vinyl lathe cutting EQ's. Four valves are used on the master buss, a pair of 5965 double triodes, the first half of which is pre-amp/eq, the second half is gain makeup in conjunction with the dedicated 'Attitude' feedback control which determines the amount of THD. The Attitude control can yield a clean signal or add gain and some "valvy" 2nd harmonic distortion. The other pair of valves is the larger 6SN7 double triode connected in parallel to give massive headroom cleanly (approaching +30 dBm).
Additional pair of AUX inputs is also provided for future channel expansion by adding the optional Little Bustard 16 channel expander, which will be due later this year.
Another co-operation between Steinberg and Yamaha have resulted in two FireWire Interfaces, the MR816 CSX and MR816 X Advanced Integration FireWire audio interfaces.
Both units feature unprecedented integration into Cubase, and offer a full range of audio I/O options and onboard DSP with the renowned REV-X reverb. MR816 CSX also offers the acclaimed Sweet Sport Morphing Channel Strip plug-in, with both DSP effects available as a VST3 plug-in in Cubase.
Features :
- True Integrated Monitoring: no latency, DSP-powered FX* and full Cubase Control Room support including independent Studio mixes
- Complete Cubase user interface integration throughout: direct access from Cubase with no additional software mixing or external windows required
- 8 discrete Class A analog 'D-Pre' mic preamps with combination XLR and TRS analog inputs with advanced new inverted Darlington circuits and switchable phantom power per channel, as well as digital ADAT and S/PDIF I/O
- Quick connect: Next-generation of plug and play with instant routing of inputs to Cubase channels from the hardware with the push of a button
- DSP power for Cubase*: Up to 8 simultaneous onboard DSP-powered Sweet Spot Morphing Channel Strip with compressor, EQ as well as REV-X reverb – available within Cubase during mixing
*Sweet Spot Morphing Channel Strip available in MR816 CSX only
Those new units will support Mac OS X, Windows XP and Windows Vista, and will ship in Q3 2008.
RME presents the new MADIface, the world's first portable MADI solution for Laptops, providing 128 channels of audio with up to 192 kHz.
Consisting of the HDSPe ExpressCard MADI and a small breakout box, the MADIface offers full MADI power: 64 channels input and 64 channels output, up to 192 kHz sample rate, in MADI embedded MIDI transmission, complete TotalMix that is even remote controllable and has all features of the 'bigger' HDSPe MADI, as well as lowest latency and CPU-load. To make the usage as comfortable as possible, the power for the breakout box is provided directly by the ExpressCard, so no external power supply is required.
The MADIface is fully compatible to all devices with MADI interface. While many MADI-based devices require an additional word clock or AES line, the MADIface uses SteadyClock to extract the reference clock at lowest jitter directly from the MADI signal, making long-distance connections even more convenient. Although not available at the MADIface itself, word clock input and output are thus available when using another RME MADI device.
Included software: DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 64 channels, Vector Audio Scope, Global record, various other audio analysis tools.
Drivers: Windows 2000/XP/Vista/64 (full ASIO multi-client operation of WDM, GSIF 2.0 and ASIO 2.0), Mac OS X Intel (Core Audio and Core MIDI).
Musik Messe 2008 sees the launch of the Focusrite's fourth Liquid solution, Liquid Mix 16. Combining the same pool of classic EQ and Compressor emulations with a control surface, Liquid Mix 16 brings the sound of the priceless and the historically significant, within reach of even the most modest studio owner.
Each of the sixteen mono channels (or eight stereo channels) provides Compressor and EQ emulations selectable from forty Compressors and twenty EQs. As with Liquid Mix, a hybrid seven-band 'super EQ' is available in every instance, built out of separate classic EQ sections. Each channel appears as a separate VST/AU/RTAS effect within the sequencer and will work within all major sequencers, including Pro Tools. Liquid Mix 16 launches with Liquid Mix v2.2 software, ensuring compatib ...
M-Audio unveils the Fast Track Ultra 8R, an 8x8 USB 2.0 audio/MIDI interface with 8 preamps and MX Core DSP.
Features :
- high-speed USB 2.0 interface - simultaneous 16 x 8* 24-bit/96kHz audio
- MX Core DSP technology - flexible channel routing, monitor sub-mixing, and effects processing
- 8 preamps with M-Audio Octane technology
- two completely independent headphone outputs
- compatible with Mac and PC > works with most audio production software
*when playing back 8 software return streams
M-Audio Fast Track Ultra 8R will be available at an MSRP of $629.95.
TC Electronic announces Tap Factory, a hybrid delay/reverb plug-in for PowerCore that combines multi-tap delay effects with early reflection reverb effects.
Tap Factory is designed primarily for the user who is looking for delay effects beyond the usual vintage style which will help him create a unique sound that is all his own. The combination of delay effects and reverb effects generates an unusual set of parameters such as the 3-band parametric EQ with a diffuser capable of simulating the change in sound that occurs when a tap hits a metal or wooden wall.
Tap Factory's extremely intuitive and clean user interface allows you to make individual parameter settings for each of its 24 taps within seconds.
Note that Tap Factory includes a bonus LE version that enables the user to run multiple instances per DSP on current PowerCore systems, and supports discontinued PowerCore hardware.
Main Features :
- Multi-tap delay with 24 taps
- Early reflection reverb
- Tap tempo/rhythm tap
- 3-band filter with diffusion
- Intuitive user interface for single tap/group tap editing
- more than 150 adjustable parameters
- Includes Tap Factory LE, supporting first generation hardware
Tap Factory will ship end of March 2008 at a suggested retail price of €299.
TC Electronic introduces the limited PowerCore X8 Sonnox Edition, a PowerCore X8 bundled with the highly acclaimed Sonnox Oxford EQ and Sonnox Oxford Dynamics plug-ins.
PowerCore Sonnox Edition will be available at authorized TC Electronic dealers in March 2008 at a suggested retail price of €1599.
USA-based Lauten Audio will make its European debut at Musikmesse Frankfurt at Hall 5.1, Walkway D, Stand 50. On display will be the company's studio microphone line including their flagship Horizon tube microphone and three new models.
Lauten Audio's studio microphone line includes :
Horizon (List: $799.00)
The Horizon tube microphone is Lauten Audio's first commercially available product. Designed as a work-horse, the microphone features a solid build quality, NOS military grade tube, custom wound output transformer and premium high-resolution electronics. This microphone has found its home on everything from vocals and voice-overs to drums, electric guitar amplifiers, acoustic guitar, piano and fiddle. It is also known to be used for live sound micing.
TC Electronic announces the release of the long awaited G-System Editor for Mac and PC, which allows for intuitive and real-time control of all functions in G-System, creation of new presets, and sharing presets with other G-System users. The Editor is compatible with Windows XP as well as OSX 10.4 (Tiger) and 10.5 (Leopard).
G-System Software 3.0 enables use of the Editor and includes modulated delay, a new feature resulting from numerous customer requests. Users will also experience faster reacting expression pedals, faster attack at the compressor, the ability to assign a specific preset to a switch, improved MIDI clock and faster level shift between right and left channel.
The Editor and Software 3.0 are relevant for all G-System users, and are downloadable free of charge at :
Zplane.development unveils version 2 of the time stretching and pitch shifting engines Elastique Pro and Elastique efficient. Elastique stretching can be found as an integral part of numerous digital audio workstations and DJ applications such as Ableton Live or überschall Elastik loop player.
The new version offers many audio quality enhancements, including better transient preservation, increased bass resolution and improved high tonal frequency processing. Many optimizations and new interface functionality improve the performance, integration and handling of Elastique significantly.
Oli Larkin has just released pMix (short for preset mixer), a really cool free software for Mac.
pMix is a new composition and performance tool that facilitates the control of multiple plugin parameters using an intuitive graphical interface. pMix hosts four VST plugins and lets you interpolate between presets by navigating a 2D visual environment. Presets are represented by coloured balls that are positioned on a plane. The size of each ball and its proximity to the cursor affects the weight of the associated preset in the interpolation. pMix is easy to use and has some fun features such as automation, real time visual feedback and randomisation.
pMix is a donationware and it is available now for Mac OS X. For more explanation I suggest you to watch the video on its web site.
With this version the simple-to-use, powerful drum machine from iZotope is now Windows XP and Vista ready. iDrum adds a full-featured beat box to your Windows- or Mac-based studio. Start with hundreds of professional drum samples, or load your own WAV or AIFF files to build your own kits.
Already own iDrum for Mac OS X? Just download the update to get the PC version at no charge. iDrum 1.61 also adds numerous improvements including OS X Leopard support.
This month we are pleased to invited you into the fantastic world of sonic restoration with the review of iZotope RX.
As says sleepless, our reviewer : "The editor has created its own algorithms, in order to offer an alternative to the reknowned algorithms from Algorithmix or Noveltech licenced to other soft editors ..."
Wanna find out if this software is the ultimate solution in the so-called noise war ? Then follow the link below...
NuSofting has announced the release of the Mac OS X version of Broken Drum Machine (BDM) in VST and AU plug-in formats.
Inspired by a combination of several old school beat boxes and the circuit-bending culture that revolves around cheap, and old, hardware musical instruments (such as the "toy" Casio and Yamaha keyboards of the 80s), Broken Drum Machine brings the lively, "ever changing",
circuit-bent drum machine sounds to your DAW.
BDM is a plugin instrument designed for the musicians who love chaos and usually find the unpredictable behaviour of an uncontrollable sound machine stimulating and inspiring. It offers four drum pads in the style of an old beat box- one each for Bass Drum, Snare, Hi-Hat and Stick. Each pad features the usual suspects for shaping the synthesized sound, including tone, decay, pitch, pan and gain.
On top of the standard controls comes the broken factor - each pad features its own sliders for chaos and chance. Chaos sets the amount of variations to the original sound, and chance is the probability algorithm for the chaos to occur. By varying and automating the chaos and chance sliders, you can achieve an infinite range of wild and unpredictable sounds, similar to creating glitches and bleeps by manipulating an analog circuit.
Main Features :
- Addictive ever changing sound.
- Blend of acoustic and electronic sound, PCM + VCO generation.
- Seven "Chaos" Modulations of various parameters.
- Controllable random crackles generation.
- 4 Mono + 1 Stereo out.
- MIDI Learn for each parameter.
- Customizable default PCM sound bank and skin using the Modpacks.
BDM is now available for Mac OS X (UB) in VST and AU formats for €35.90 / $51.90.
PreSonus is pleased to announce that the DigiMax D8 8-channel preamplifier with 24-bit ADAT digital output is now shipping.
The DigiMax D8 is an 8 channel preamplifier featuring 8 class A XMAX mic preamps with 24-bit ADAT digital output. All eight preamps include variable trim control, 48V phantom power, ultra-fast acting LED metering and 20 dB pad. In addition, 2 instrument inputs are located on the front panel for direct Hi-Z instrument input. Balanced TRS direct analog outputs are located on the rear panel for routing and flexibility. The DigiMax D8 also includes word clock sync input for ultra-low jitter and robust synchronization.
The DigiMax D8 is available now at a list price of $499.95.
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